Any chance of open sourcing the model instructions for this? Do you feed it all the Phoenix/LiveView/Elixir docs, or have you written more specialised instructions?
I find Claude to have quite a bit of problems trying to navigate changesets + forms + streams in my codebase, just wondered if you had any tips of making it understand better :)
Are you confusing mixing and mastering, maybe? I just said that I don't MIX to different targets. I create the best mix I can, checking phase to mono every step of the way, then I deliver my mix to a mastering engineer who will create a master for digital as well as a master for vinyl. The vinyl master will sometimes be more agressively summed to mono in the bass if we're dealing with too much information in that registry. My point is you don't have to mix to different formats if your mix is good. Good mastering engineers and lacquer cutters will sort the rest for you! Maybe we just misunderstood eachother?
I'm a good engineer. I've done tons of mixes for records released both digitally and on vinyl or even tape. I never create different mixes for the formats - but I work with great mastering engineers and cutters who will create different masters for each format.
It might also sound much worse for a number of reasons that would prevent the proper cutting of the laquer master. I have my studio next door to a vinyl mastering studio and it is truly a fascinating craft. The cutter might have to narrow the stereo image to prevent the needle from jumping out of the groove. Often this is done by mono'ing the low end. The tool he uses will gradually mono the low end on a slope from i.e 150hz and down. This can lead to less low end especially if there are phasing issues that will cancel out signal when collapsing to mono. They will also high pass from 20-30hz and low pass (can't remember how low he went), and sometimes even de-ess the entire mix!
Also if the sides of the vinyl are too long, the sound quality will suffer badly.
And if they screw up the cut, it's a lot of $$$ for each laquer master and the diamond needle for cutting doesn't last many records either.
Thanks for this. I remember having this as a child, where the sound of walking down the stairs at home would be painful and almost threatening. It hasn't returned since then, thankfully.
Actually being able to zoom in font size when vw or vh is used. So it’s to help maintaining what the user wants while being able to scale font sizes with viewport size.
I just want either a zoom constant so we can know how much the browser is zoomed in or out, or a scaling type size unit that will take zoom into account. In the former case we could set font size as vw multiplied with the zoom factor.
I discovered so much music through last.fm back in the day. There were so many obscure and weird bands to find in their «Related artists» and whole genres I feel I’d never have heard of if not for last.fm
There's an artist called Øystein Wyller Odden that works with mains hum. I find it pretty fascinating:
Kraftbalanse is a musical translation of the hum from the mains; i. e. the frequency of the alternating current. The piece is based on the fact that this frequency is not stable, it fluctuates subtly around 50 Hz as a direct result of supply and demand in the power market.
The composition consists of a self-resonating piano that is tuned to resonate on 50 hz and overtones of 50 hz (100 Hz, 150 Hz, 200 Hz etc.) The piano is fitted with vibration-elements – transducers – plugged directly into the electrical grid, causing the resonance and timbre of the piano to change with the fluctuations on the power market.
The piano is accompanied by a string octet. The musicians are equipped with voltmeters that measure the frequency of the current in real time, as well as a score of instructions on how to respond to changes in this frequency.
They also still have trouble with websockets. Sometimes it just fails to reconnect, and will not work before restarting the browser or opening a private window. This is what drove me away from it, as well as recommending our clients to use another browser. There's an issue here from april 21 https://github.com/brave/brave-browser/issues/15410 which initially seemed geared towards Phoenix Liveview, but others have trouble with other frameworks and applications as well it seems.
So you can either copy your js and image folders to `priv/static/assets` and they will be available as `localhost:port/assets/js/somefile.js` etc. OR you can add `js` to the list of paths to serve in app_name_web.ex and copy your js files to `priv/static/js` and access them at `localhost:port/js/somefile.js`.