Franz Kafka’s Dissenting Bodies(prospectmagazine.co.uk)
prospectmagazine.co.uk
Franz Kafka’s Dissenting Bodies
https://www.prospectmagazine.co.uk/arts-and-books/franz-kafkas-dissenting-bodies
2 comments
i cant begin to tell you how pissed off i am about the name of kafka used for a software project. is it just me?
It'd be a more appropriate name for Nifi to be honest.
> I read all his novels (and some of his short stories), he's one of my favorite authors
That makes at least two of us. :) But, I suspect there are quite a few more HN readers who like Kafka's works and literature in general (the first is arguably very correlated to the other), judging from how often literature related articles appear on the HN front page. Often, when that is the case I also can't help but wonder the same about the correlation between being a fiction and HN reader.
That makes at least two of us. :) But, I suspect there are quite a few more HN readers who like Kafka's works and literature in general (the first is arguably very correlated to the other), judging from how often literature related articles appear on the HN front page. Often, when that is the case I also can't help but wonder the same about the correlation between being a fiction and HN reader.
To me, Kafka’s work is particularly axiomatic. It has an internal logic and tends toward involution. I could see how this would appeal to technically minded people, whereas Dickens, or Austen, authors whose work tends to be discursive, might seem boring or without basis.
What do axiomatic and involution mean in this (presumably literary) context?
They are axiomatic in that Kafka's worlds are frequently built upon a set of conditions, and the development is contingent upon how these conditions interact, whereas other writers often depart from pre-established rules because they become cumbersome, or they introduce new ones as a matter of convenience. Kafka, in a story like The Burrow, seems to be in search of a complete system that becomes fully expressed by virtue of an exhaustive exploration of its potential, in accordance with its own stipulations. It develops like a drop of ink in a glass of water. Due also to a desire not to retread ground, as he criticizes Dickens of doing, this may be why much of his work went unfinished.
By involution, I mean that Kafka's stories, to a greater extent than just about any other writer, forestall the influence of "outside" forces. His worlds do not rely on historical context, and his characters hardly, if ever, propose a new and narrative-changing idea from whole clothe, although the conclusions they draw are often strange, novel, and sudden. Kafka's land surveyor in The Castle is always circling back to the fact that he is a land surveyor as the basis for his behavior, even though he never actually fulfills or comes close to fulfilling his vocational imperative.
I always recommend Reiner Stach's three volume biography of Kafka to people. The author does a great job of looking into the literature as much as he looks into the life.
By involution, I mean that Kafka's stories, to a greater extent than just about any other writer, forestall the influence of "outside" forces. His worlds do not rely on historical context, and his characters hardly, if ever, propose a new and narrative-changing idea from whole clothe, although the conclusions they draw are often strange, novel, and sudden. Kafka's land surveyor in The Castle is always circling back to the fact that he is a land surveyor as the basis for his behavior, even though he never actually fulfills or comes close to fulfilling his vocational imperative.
I always recommend Reiner Stach's three volume biography of Kafka to people. The author does a great job of looking into the literature as much as he looks into the life.
I recently watched an interesting conversation between Todd McGowan and Walter Davis on Kafka[1] which you might enjoy.
There's a bit in the aforementioned interview where they mention if one is learning German, a good introductory route is reading Kafka and Heidegger's Being and Time. I've been contemplating whether I should learn German to read my favorite thinkers in their primary written language (and even potentially make a move to Germany, away from the weariness of California), or, rather, become more grounded in the English language.
1. https://www.youtube.com/watch?v=Gdjx7ZanqAg
There's a bit in the aforementioned interview where they mention if one is learning German, a good introductory route is reading Kafka and Heidegger's Being and Time. I've been contemplating whether I should learn German to read my favorite thinkers in their primary written language (and even potentially make a move to Germany, away from the weariness of California), or, rather, become more grounded in the English language.
1. https://www.youtube.com/watch?v=Gdjx7ZanqAg
Thank you for the link, I got 17 minutes into this lazy slop and got to the something about law (judicial law that is) being "alive and sexual" and couldn't take any more.
Little useful is extracted, it's mainly academics grooming each other over their cleverness. I just couldn't bear it any more.
Little useful is extracted, it's mainly academics grooming each other over their cleverness. I just couldn't bear it any more.
> But I can't help but wonder whether there is some kind of correlation between being an HN reader and liking Kafka's works, or whether people just see the word "Kafka" and somehow think it's related to Apache Kafka [1] and upvote. Curious about what others think about this.
Kafka isn’t obscure. Everyone has heard of Kafkaesque.
Why ask whether people just blindly/ignorantly upvote?
Kafka isn’t obscure. Everyone has heard of Kafkaesque.
Why ask whether people just blindly/ignorantly upvote?
I think the kind of dystopia that Kafka wrote about is part of the zeitgeist.
anyone feel an eastern european oppressive brown-gray stone communist vibe reading kafka?
Kafka's dates were 1883--1924. His experience and writing were all but entirely pre-communist, and certainly didn't reflect post-WWII Soviet Bloc eastern European experience. Rather more Austro-Hungarian / Habsburg Empire.
<https://en.wikipedia.org/wiki/Franz_Kafka>
<https://en.wikipedia.org/wiki/Franz_Joseph_I_of_Austria>
<https://en.wikipedia.org/wiki/Franz_Kafka>
<https://en.wikipedia.org/wiki/Franz_Joseph_I_of_Austria>
When it comes to the OP article:
> Vladimir Nabokov was having none of it: in his teaching copy of the novella, he drew a sketch of a common beetle.
I'm curious why Nabokov thought this would be accurate. The work itself intentionally doesn't mention what kind of "vermin" Gregor Samsa is..
[1] https://kafka.apache.org/