Paul Graham Interviewed By David Weinberger (Pretty Interesting)(media-cyber.law.harvard.edu)
media-cyber.law.harvard.edu
Paul Graham Interviewed By David Weinberger (Pretty Interesting)
http://media-cyber.law.harvard.edu/VideoBerkman/paul_graham_2006-11-08.mov
35 comments
I made the interview! My team was one of the "We're doing X but easy to use" people. We didn't have a functioning demo but we did have graphical mockups of the design. I thought we nailed it, but apparently Paul didn't get it because we didn't have an animated demo. I've been kicking around an essay for a while about just how trivial easy-to-use design can be, it'll be on here eventually.
A demo works. Explaining -how- you're going to make it easy to use might be useful as well.
Describe a real hypothetical user (three if possible) using the software. Describe in as much detail as possible, and then explain at some level how your technology will allow you to accomplish this.
Describe a real hypothetical user (three if possible) using the software. Describe in as much detail as possible, and then explain at some level how your technology will allow you to accomplish this.
Just to discuss a question that was skipped:
Romantic music (19th century) isn't always more complex than baroque music (early 18th century). Indeed, in many ways the transitions saw a decrease in certain kinds of complexity. Harmonic rhythm, that is the speed at which the underlying chord pattern changes, slowed down during the late 18th century. Tuning shifted from meantone to equal temperament. (More complex to implement, but results in a cleaner+simpler UI for musicians ;)
Also, there were advances in instrument design. In particular, the piano of the 19th century was much like a modern piano. Compared to the 18th century piano, it had a much more expressive power. Bach for example really could not write crescendos into his keyboard music. The keyboards of the time didn't do dynamics very well. He had organs and harpsichords and clavicords and such. In contrast, Brahms had the modern Piano.
Romantic music (19th century) isn't always more complex than baroque music (early 18th century). Indeed, in many ways the transitions saw a decrease in certain kinds of complexity. Harmonic rhythm, that is the speed at which the underlying chord pattern changes, slowed down during the late 18th century. Tuning shifted from meantone to equal temperament. (More complex to implement, but results in a cleaner+simpler UI for musicians ;)
Also, there were advances in instrument design. In particular, the piano of the 19th century was much like a modern piano. Compared to the 18th century piano, it had a much more expressive power. Bach for example really could not write crescendos into his keyboard music. The keyboards of the time didn't do dynamics very well. He had organs and harpsichords and clavicords and such. In contrast, Brahms had the modern Piano.
can someone please make an edit of this video... the interviewer is killing me!!! I stopped watching after 3 minutes...
Same here. Here is a business idea: write a software that automatically creates transcripts of online videos. I hate the YouTube culture (old fashioned guy who likes to read here).
Actually - that's pretty hard to do. What would probably be more "doable" is to take a transcript (done manually by a transcriptionist) and sync up the text with the video.
You could provide links in a transcript which when clicked take you to the part of the video in question, if you'd like to see it. You could also go the other way, and use a transcript to provide subtitles.
Any ideas on how to make this happen? My intial thought is to exploit pauses and breaks in the sound and map them to sentences, etc. Voice mapping would help too, so you could map a sentence to Paul Graham and another sentence to the interviewer.
What would be pretty cool (actually, REALLY cool now that I think about it) would be desiging a transcript markup language that could be married to a video. Has anyone done this? Why not?
You could provide links in a transcript which when clicked take you to the part of the video in question, if you'd like to see it. You could also go the other way, and use a transcript to provide subtitles.
Any ideas on how to make this happen? My intial thought is to exploit pauses and breaks in the sound and map them to sentences, etc. Voice mapping would help too, so you could map a sentence to Paul Graham and another sentence to the interviewer.
What would be pretty cool (actually, REALLY cool now that I think about it) would be desiging a transcript markup language that could be married to a video. Has anyone done this? Why not?
I know that speech recognition probably is not quite good enough yet :-( I have another interest in this: since I am not a native english speaker, I find it often hard to understand everything that is being said in a video. English subtitles would often be helpful (especially for those videos of interviews or conference speeches etc.).
Perhaps Amazons mechanical turk could come in handy here? Would a clone of the mechanical turk specialised on movie transcripts be feasible? Or is it too special interest? (Perhaps most people either understand the words or they would prefer a translation?).
As for syncing subtitles: I don't know the details anymore, but I remember from ripping DVDs that the subtitles come simply in a text file along with the movie. So presumably something like you propose already exists.
Perhaps Amazons mechanical turk could come in handy here? Would a clone of the mechanical turk specialised on movie transcripts be feasible? Or is it too special interest? (Perhaps most people either understand the words or they would prefer a translation?).
As for syncing subtitles: I don't know the details anymore, but I remember from ripping DVDs that the subtitles come simply in a text file along with the movie. So presumably something like you propose already exists.
Sure, that exists because the movie studios usually ship movies out with a transcription. I don't think something like this exists for run-of-the-mill type videos. In the example of the video above, if there WERE a transcript, you could use the software I propose above to provide subtitles automatically.
There's a service in Japan where you can associate text to a point in a video. You type text like chat while watching a video, and the text is recorded with the timestamp and played back along the video. Association is bidirectional---you can jump to certain time point in the video from the text as well. Currently most people just making fun, putting funny text on videos, but it would be quite useful to attach transcription by collaboration of audiences.
Unfortunately they only provide closed service for registered users: http://www.nicovideo.jp/ (Actually they originally used YouTube as a video source and had no access restriction. But they got so much popular that YouTube had to shut down access from their site.)
Unfortunately they only provide closed service for registered users: http://www.nicovideo.jp/ (Actually they originally used YouTube as a video source and had no access restriction. But they got so much popular that YouTube had to shut down access from their site.)
use juwo - it can do this
I visited your site - but there is no information about how your software works. There's just some text that refers to a video. But there's no link anywhere to such a video.
If you want to convince me that your product can do what it says - take the video talked about in this thread, run it through your software and give us a link so we can see what you mean.
If you want to convince me that your product can do what it says - take the video talked about in this thread, run it through your software and give us a link so we can see what you mean.
Right now, it can only handle stuff that plays in Windows Media Player. This file is a mov file that plays in Quick Time. (I ran into problems controlling QT from Javascript. If you are good in Javascript, maybe you can chip in to help?).
I shall be releasing about 12 demos of juwo on my website shortly - hopefully this week. (I work on it in my free time so have been extremely slow this year).
I shall be releasing about 12 demos of juwo on my website shortly - hopefully this week. (I work on it in my free time so have been extremely slow this year).
Great. Make sure you post a link to them.
It is released. Please see
http://news.ycombinator.com/comments?id=14254
http://news.ycombinator.com/comments?id=14254
The students finally get to ask questions about 45 minutes in - then it gets a bit better. The interviewer does make it pretty painful to watch though ;)
Of course you could not watch it [0] or download the mp3 [1].
Reference
[0] Virtual consoles are great for this, just switch to another console.
[1] mediaberkman, 'Web of Ideas with Paul Graham, 9, November 2006, 1Hr.19m"
http://media-cyber.law.harvard.edu/AudioBerkman/paul_graham_2006-11-08.mp3
Reference
[0] Virtual consoles are great for this, just switch to another console.
[1] mediaberkman, 'Web of Ideas with Paul Graham, 9, November 2006, 1Hr.19m"
http://media-cyber.law.harvard.edu/AudioBerkman/paul_graham_2006-11-08.mp3
The interviewer seems pretty clueless and confrontational, but PG handles it quite well and makes some great points.
http://blogs.law.harvard.edu/mediaberkman/2006/11/09/web-of-ideas-with-paul-graham-2/
http://blogs.law.harvard.edu/mediaberkman/2006/11/09/web-of-ideas-with-paul-graham-2/
I disagree. It is true that:
1. Video is a slow way to process information in the internet era.
2. Weinberger doesn't come off well. The frequent interruptions at the start are irritating. What starts out seeming like a talk turns into a debate between two people, and the change in format is jarring for a bit. And it is hard to understand what Weinberger is getting at. This might have to do with our disparate vocabularies, and the wide disparity in the worlds he and I live in.
In spite of these, W does have a point. It is non-trivial to separate the fashionable from the timeless in a thing of beauty. 'Space aliens' may require a human-like visual cortex to appreciate the Mona Lisa. Does that make it just a narrow fad as well, or is a visual cortex a protocol prerequisite to evaluating it? As I asked PG over email, where does fashion end and convention begin?
A lot of the ancient philosophical arguments are between polar opposites like these. Should we find out about the world with reason or the senses? Is mind or matter supreme? Is it ok to abort foetuses or not? We know that one can exaggerate anything to make a point, and yet it is easy to fall into the trap of ending up with an extreme viewpoint because one can't decide where to draw the line. Eventually we (will) figure out for each of these issues that there can be richer answers than the obvious black-or-white.
So beauty can be timeless, but also tightly bound to a context. It is not clear that all of the latter is bad. How to separate the two? Open question. Relativism is no worse than believing passionately in the wrong anwer.
---
So much for the academic debate; PG's outlook is more utilitarian[1]. The problem of building beautiful things is a hard one, and it makes more sense for a builder to 'flow timeless' rather than to follow fashions. The alternative may work too, but there's less percentage in it. This is perfectly reasonable, it's just not the same question W is grappling with. Both of them are right, they're just asking slightly different questions. They don't ever figure this out in the video, IMO.
BTW, I believe this conversation contributed to a PG essay: http://reddit.com/info/ufsk/comments/cugnx
[1] A utilitarian philosophy of aesthetics, heh.
1. Video is a slow way to process information in the internet era.
2. Weinberger doesn't come off well. The frequent interruptions at the start are irritating. What starts out seeming like a talk turns into a debate between two people, and the change in format is jarring for a bit. And it is hard to understand what Weinberger is getting at. This might have to do with our disparate vocabularies, and the wide disparity in the worlds he and I live in.
In spite of these, W does have a point. It is non-trivial to separate the fashionable from the timeless in a thing of beauty. 'Space aliens' may require a human-like visual cortex to appreciate the Mona Lisa. Does that make it just a narrow fad as well, or is a visual cortex a protocol prerequisite to evaluating it? As I asked PG over email, where does fashion end and convention begin?
A lot of the ancient philosophical arguments are between polar opposites like these. Should we find out about the world with reason or the senses? Is mind or matter supreme? Is it ok to abort foetuses or not? We know that one can exaggerate anything to make a point, and yet it is easy to fall into the trap of ending up with an extreme viewpoint because one can't decide where to draw the line. Eventually we (will) figure out for each of these issues that there can be richer answers than the obvious black-or-white.
So beauty can be timeless, but also tightly bound to a context. It is not clear that all of the latter is bad. How to separate the two? Open question. Relativism is no worse than believing passionately in the wrong anwer.
---
So much for the academic debate; PG's outlook is more utilitarian[1]. The problem of building beautiful things is a hard one, and it makes more sense for a builder to 'flow timeless' rather than to follow fashions. The alternative may work too, but there's less percentage in it. This is perfectly reasonable, it's just not the same question W is grappling with. Both of them are right, they're just asking slightly different questions. They don't ever figure this out in the video, IMO.
BTW, I believe this conversation contributed to a PG essay: http://reddit.com/info/ufsk/comments/cugnx
[1] A utilitarian philosophy of aesthetics, heh.
Weinberg was confrontational. He seems only out to argue. Paul handled it well.
I went to this talk back in Dec. and also found it a little painful. PG mentioned some interesting things about actually using Arc to build the YCombinator site (include this Reddit-like site). A lot of the rest of it approached the "what is beauty?" stratosphere where oxygen gets thin...
I have a proposed unifying theory that covers the beauty of both simplicity and excess.
Humans appreciate intelligence. Showing how much you can do with so little is one way to show intelligence. For example, if you can create a brilliant artistic masterpiece with only a single line then this is clearly a work of amazing intelligence. The other easy way to demonstrate intelligence is by doing the absolute most that you can with every resource you have available to you. This explains the beauty of things like H2G2, where the beauty comes from incorporating all of these random plot elements and linguistic tropes into these beautiful sentences and descriptions.
Humans appreciate intelligence. Showing how much you can do with so little is one way to show intelligence. For example, if you can create a brilliant artistic masterpiece with only a single line then this is clearly a work of amazing intelligence. The other easy way to demonstrate intelligence is by doing the absolute most that you can with every resource you have available to you. This explains the beauty of things like H2G2, where the beauty comes from incorporating all of these random plot elements and linguistic tropes into these beautiful sentences and descriptions.
Related:
When something is built for a well-defined purpose it's much easier to judge how timeless its solutions are.
http://rodfrey.wordpress.com/2007/04/18/the-craftsmanship-of-code
Appreciating beauty in a specific medium requires knowing the 'language', the conventions of that medium.
http://www.tinkerx.com/index.php/2007/04/15/the-box-part-2-the-frame
When something is built for a well-defined purpose it's much easier to judge how timeless its solutions are.
http://rodfrey.wordpress.com/2007/04/18/the-craftsmanship-of-code
Appreciating beauty in a specific medium requires knowing the 'language', the conventions of that medium.
http://www.tinkerx.com/index.php/2007/04/15/the-box-part-2-the-frame
I actually really enjoyed this. My first guess is that when we find something complex beautiful, it's because it is tapping into something innate (I would love to write about how music taste works). Also, I thought comment about "how easy something is to use" actually being a measure of how well it is made, is brilliant, which sometimes people don't get. Alas, it's 3.30am and I should sleep.
I thought the interview was pretty interesting. Good to see some critical thinking and conflict over one of PG's essays -- much more interesting than just a biographical interview or unnecessary flattery.
My favorite part:
"If you want to date a painting -- like in the sense of to identify its origin, not to have a relationship with it..."
Thanks for the clarification there... ;-)
My favorite part:
"If you want to date a painting -- like in the sense of to identify its origin, not to have a relationship with it..."
Thanks for the clarification there... ;-)
use juwo!!!
Shouting at people to use your product may work, but I think long-term you're better off making something users want!!!
sorry, not shouting, simply excited (and frustrated, if I may add).
It is released. Please see
http://news.ycombinator.com/comments?id=14254
It is released. Please see
http://news.ycombinator.com/comments?id=14254
How? there isn't any link on juwo.com to the actual product.
It is released. Please see
http://news.ycombinator.com/comments?id=14254
http://news.ycombinator.com/comments?id=14254
Oh, I found it. I had to go to http://juwo.com, then click "Company", then click a very confusing "Home" link. I thought that "Home" was already where I was.
Suggestion: please make the front page of http://juwo.com the actual product, and put the "about the company" stuff on some page linked to from there.
Suggestion: please make the front page of http://juwo.com the actual product, and put the "about the company" stuff on some page linked to from there.
Very strange. I clicked your link and it took me correctly.
Anyway, I look forward to your feedback - if you can please use it.
Anyway, I look forward to your feedback - if you can please use it.