As a German I wonder why was this treasure given away to a US museum? Also what is the legal status of ownership of all this? Would have been interesting to read more about this.
My main complaint with conventional commits always was that they don't include an issue number in the commit title. It's not even mentioned in their standards as optional or something.
To me this is almost the most important information in a commit message. I don't know how often in the last 15 years I was cross checking the issue description referenced by some old commit to get the full context of a change. I also felt that this habit is kind of standard - until i had to learn about "conventional commits".
Exactly this. In our case we went so far to cache all static assets. Putting them into a directory with a hash in the name made them still easy to bust.
I wonder why the article doesn't mention utilizing the browser cache for your static CSS and JS assets instead of introducing a service worker as first measure.
Few years ago I built a shopping site MPA this way and the page transitions were almost not noticable.
Even if it's obvious: I was missing a "How to use" section in the README that demonstrates how this tool can be invoked.
EDIT: Ok, there's something in the "Working with STDIN and STDOUT" section. But TBH I'd find it more helpful to have the different use cases collected at the top. To me it wasn't even clear how the command is called.
Hmm, he lost me on page nine where "complete" is explained.
> Complete means that every sequence of vectors |a1>, |a2>, ... satisfying lim ...
How are the elements of this sequence related? And why are we only interested in the elements where the index n/m goes to infinity? What does that even mean if the sequence is arbitrary?
That's probably why I also can't make sense of this:
> Loosely speaking, saying that a Hilbert space is complete means that it contains all of its limits.
I'm 49 and can literally watch (pun intended) how my capability to focus in the near field gets worse and worse. I've been using dark themes in the terminal for 25 years and for a couple of years tried to use dark mode also in other software as much as possible.
After reading this I really wonder if I did myself a disservice and if I shouldn't change to light mode again.
Does anyone know of more sources on this topic? And also if the effect can be reversed or at least slowed with going back to light again?
EDIT: This[1] answer on Stackexchange has some funded details.
It's not only the ongoing war. Russia's leadership seems to be enganged in state terrorism for several decades now. Here's an interesting interview with Catherine Belton a journalist and author who did year long research on that matter:
I've never seen this before and wonder how stable/fragile are those crystals? Are they very touch-sensitive or can you carry them around easily in your pocket?
For those that need a concise refresher on - or introduction to - linear equations there's an (as usual) excellent series of 15 short videos from 3blue1brown:
Maybe I've missed it but in the first setup (without roles) where on the server is defined as which user someone can ssh into the machine now? There's only this global setting:
TrustedUserCAKeys /etc/ssh/ca.pub
Where can I define that a user can log in e.g. as "john" on a server? Is this the '-I USER_ID' part when creating the cert? If so that would mean that a certificate is bound to one username only and that every user needs his own account with exactly that name on every server he has access to, right?
I disagree. That's exactly the point: If you practice to achieve a constant typing rate (and start slow!) there will be no hard combinations anymore.
In fact it's exactly because of these "hard combinations" why your overall speed is slow, because you can't keep the high pace of the rest. So you have to master them first.
It's pretty much the same if you e.g. learn guitar: If you play a scale of notes you want to play it nice and smooth and not suddenly slow down at the hard part. If you can't play it smooth you're practicing to fast, so slow down until you mastered it.