The Philosophy of Posthumous Art(daily.jstor.org)
daily.jstor.org
The Philosophy of Posthumous Art
https://daily.jstor.org/the-philosophy-of-posthumous-art/
3 comments
John Darnielle of the Mountain Goats feels similarly: https://twitter.com/mountain_goats/status/142810427641747456...
He values his editorial ability - including choosing not to release things.
He values his editorial ability - including choosing not to release things.
Makes me wonder why not put that into a will, as well as how legally binding a tattoo is when it comes to estate management.
One of my favorite examples is Elliott Smiths From a Basement on the Hill. It undoubtfully has Rob Schnapf's signature on it, but you can tell he tried to keep the incompleteness in the work - you get a sense that Elliott Smith was in the middle of creating a new sound, and it feels like he was half way there. At any rate - that record was very controversial, despite being guided by those who were close to him and worked with him.
Pardon me but do wake me up, please, asap, #10 in full by Ludovico van B has been recovered. likewise, Rothko's true last as well as the unknown and missed Watteau whom Sylvie Testud in 'Ce que mes yeux ont vu' aka 'What My Eyes have Seen' [2007] successfully uncovered ..
I'm still hoping they'll find a few of Monteverdi's lost operas in some attic in Venice someday.
[1] https://nypost.com/2021/08/17/anderson-paak-gets-tat-warning...