Just because you chose to have subtle mastering applied doesn’t mean that the commercial records we’re discussing have done the same, particularly for their digital releases, which is why they sound different. If you listen to vinyl versus digital releases of certain albums, it is obvious. Stop spreading misinformation.
Good site, but it has some frustrating limitations that make it vastly less useful, specifically regarding the phenomenon in the article. The search UI doesn’t expose the release code (and many entries don’t even include it), so when it says “vinyl” you have no idea which of the possibly dozens of releases it refers to, some of which can be awful, like the article points out.
I’m willing to help fix this, but the source code is not public, and when I emailed the author I got no response.
Sorry, but you don’t know what you’re talking about. Many releases get mastered separately for digital and for vinyl, and one or both of them often does “change much”. Usually the brickwall limiting (among other things) on the digital master.
Except when that regulation actually has teeth, which is why he opposed California’s SB 1047. I agree with GP that Altman (and all the rest) want regulation insofar as it protects their moat but no further.
> You'd probably be shocked at just how much wilderness is in the UK.
You're right. I was shocked at just how little there is. If one's definition of large is more than a few square km, there's virtually none, for any sensible definition of wilderness, at least south of the Cairngorns.
Very cool and hopefully will help influence policy in the future. (Here’s [not] looking at you, insanely overbright LED shop window ads blasting well into the late night in my city)
This is so cool, but I did not see a key piece of info in the article: does the ongoing operation of this mission fall under NASA's science budget and therefore at risk of cuts and defunding under Trump [1]?
This is (one of the many) reasons why I care primarily about biodiversity and preventing as many human-caused extinctions as we can. Those are a permanent loss to the beauty and complexity of the universe built up over millions of years, and they are permanent and irreversible.
That was exellently presented. Clear, informative, compelling. I especially appreciated getting to the end without being bombarded with any ads, popups, or begging for email signups. Curious how I could support such media, I found https://pressroom.rferl.org/about-rfe-rl/ which says,
> RFE/RL, Inc. is a private, nonprofit 501(c)(3) corporation funded by the U.S. Congress through a grant from the United States Agency for Global Media...