"Kamer 306 is a 2006 documentary about the birth of electronic music inside the Philips Natuurkundig Laboratorium (NatLab) in Eindhoven. Set in the legendary Room 306 of the lab’s Acoustics Department, the film traces how Philips technicians, engineers, and composers opened up a completely new sonic world in the late 1950s."
Besides pure vector search there is hybrid (BM25 + vector) but now there is also agentic search (where the agent can set additional filters, do multiple roundtrips, etc on top of hybrid vector search.
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It depends on additional filters and whether you want to use vector search only. The upside of using Faiss would be storing the ID as file metadata and embedding it in the Faiss index. However, if you need any other filters or data, you would need to store it somewhere else.
> We could make programs _so much_ better than they currently are, it’s not even funny.
IMHO, that's what the author is arguing. Now that we have the tech to do it, this is how companies will win new users. Making the technology "better" means subjective design decisions that can be defined as tasteful when done well.
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The author gives the example of the Köln Concert; we can buy scores to play the piece, but the score doesn't contain enough information to _really_ replicate the performance. That's what I meant by the missing context.
Interesting that Nelson Goodmanis is mentioned. IMO music notation has the same, albeit lesser observable, problem as language and that's context. Regardless if it’s the Köln concert or a modular synth. If we try to capture all context for -let's say- the first second of a musical piece, it’s almost impossible to do.
That would be me