"Hurr durr, your physics isn't pretty enough and has too many coefficients to fit my childlike model of the universe. Clearly an approximation" - mimixco, 2020
grizzles: I don't understand what's going on in a proton.
Physicist: actually, we know about it very well.
grizzles: I don't understand what you're saying, and don't care to find out, so I'm just going to disagree with you and say you have no experimental evidence.
Physicist: we actually have terabytes of evidence describing the different quarks and gluons within protons and neutrons.
grizzles: I don't care, and I'd rather live in Anaximander's land of indefinites and superstition.
Central forces don't guarantee that the universe is made of fractals. Nothing, for instance, orbits an electron within an atom (excluding spin-orbit coupling and other such quantum nonsense).
I tried averaging the weights from a bunch of differently-trained neural networks for a Loss.jpg detector once.
If you think about what sort of brain you'd get if you "averaged" a few hundred geniuses' brains by blending them into a soup and adding some gelatin to a brain-sized sample, yeah, that's about the level of intelligence I saw in the "average neural net." It was basically in a constant state of seizure.
In the current world, it seems the "artist" has taken the form of a hive mind (artists and songwriters) while the "instruments" are the mechanisms of production and distribution - and monetization: microphones, pickups, mixers, autotuners, amplifiers, filters, mastering artists, distribution companies, Logic Pro, digital-to-analog converters, headphones...
Unless they're seeing a live symphony or literally sitting in the recording studio with an artist, the vast majority of people (99.999%) aren't hearing music performed by the named artist. They're hearing music recordings generated by teams of people and performed by a computer.
Local musicians (the main source of music for people earlier than about 150 years ago) just cannot compete with the supranormal stimulus of pop/rock/soul written and performed and mastered by students of psychology and music and distributed by capitalists.