We're already there, it's just a matter of provisioning LEO constellations and sorting out market-fit, although Starlink Direct-to-Cell (D2C) is probably the least enticing offering.
As it stands both ASTS and Lynk Global use 3GPP standards to allow standard, unmodified mobile phones to connect directly to cell towers in space, bridging terrestrial and non-terrestrial networks (NTN) without requiring special user equipment
Following on from the machinations of the O-RAN ALLIANCE, and the complete wheel-spinning nonsense that was OpenRAN, at least they're doing something nation-state agnostic. The last decade has been one long appeasement of China Telecom and Huawei by diminishing the value-add from proprietary SaaS and RAN vendor lock-in in the Euro and US Telecoms market.
How are all those promised cloudified network functions in k8s containers with the much vaunted 'AI' based orchestration and life-cycle management doing in 2026?
Your contention was that it was an insane position that anyone should be able to use a piece of literature or a song for anything forever without consent. I simply highlighted the absurdity of that based on the fact that:
1. Copyright protections as a concept are an incredibly modern phenomenon, mostly limited in practice to Western Capitalist Democracies.
2. Outside of a short monetisable window (albeit one extended and irrevocably marred by Disney/Sonny Bono) your 'insane' hypothesis is in fact the status quo
3. Much intellectual work is published into the Public Domain, and all copyrighted work eventually ends up in the Public Domain. Your position appears to presuppose a world without such an entity.
As to what copyright actually achieves? It's mostly a mechanism by which the media gatekeepers and owners of capital use legislative and social imbalance of power to deny artist the rights and royalties for mechanical reproduction and otherwise impose financial serfdom.
This is achieved mainly by Copyright Enclosure, whereby musicians are typically pressured or contractually obligated to surrender their master recordings and intellectual property, and by contractual clauses like Controlled Composition Clauses, whereby Labels reduce the mechanical royalties they pay to artists who write their own songs, often paying below the standard statutory rate.
In many territories like Ireland, Authors are compensated for their inclusion in lending libraries. It tends to be of the pitiful 'music rights organisation' style mechanical reproduction royalties, but it does exist.
Intellectual property protections have a finite lifespan to begin with, and as a tenet of Western Civilization are barely 300 years old.
For works published before copyright laws existed or after property protections expire, anyone should be able to use it for anything forever without consent.
Intellectual work still manages to get funded in this 'insane world' - although given the classical artist/patron system has given way to state-based grants and a select capitalisation of Art post-Warhol, the concept of Universal Basic Income tends to be promoted the desired successor.
Speaking of insane worlds, how does the concept of the Public Domain work in yours?
Texas is the only state in the lower 48 that has no major connections to neighboring power grids. That means growing energy demand in Texas must be met by new power generation in Texas.
Texas has not improved energy efficiency standards since the 2021 blackout, and have resisted all attempts at increasing the governance of the gas generation.
The Electric Reliability Council of Texas' "Capacity, Demand and Reserves report" even details a scenario in which massive energy demand growth in the state surpasses available supply in 2026.
'Movies' at Blockbuster level pivoted to ersatz carnival rides post-'Pirates of the Caribbean', focusing on safe IPs and simple plots designed to aid comprehension of the major story beats in the SEA markets without the need to resort to subtitles or dubbing.
'True' Cinema has been going from strength to strength the last decade, with even Netflix putting out Fincher spectacles like 'Mank' on streaming, and A24 bringing introducing a new audience to phenomenal Korean Cinema like 'Parasite' and 'Minari'.
Even in the traditional studio system we have been spoilt in recent years by a succession of Palm D'Or and Oscar winners like Anatomy of a Fall, Triangle of Sadness, Zone of Interest, The Brutalist, Oppenheimer and Killers of the Flower Moon.
To some extent - but you can't get away with Hollywood Accounting Practices in the same way.
Also one must consider the likes of Hideo Kojima who can sell ~7 million copies of a new IP that is effectively a cinematic Walking Simulator as an Auteur acrimoniously splitting from the traditional studio system.
Clair Obscur: Expedition 33 also shipped over 5.4 million copies as a AA, in what is also arguably an interactive cinematic on-rails RPG.
There are some fantastic hi-fidelity audio players coming out of China the last few years that are basically modern homages to the SanDisk Clip concept
No they weren't - they were billed by the minute. About 5c/min in new money. That's why you had things like night and off-peak tariffs for 56k dial-up services in Ireland in the early 00s.
In Europe local calls were generally never free, and in many countries getting a line/handset installed in your home was an onerous and expensive task. In more socialist/ex-bloc regions it was generally down to how much social and political capital you could muster.
European telecom providers typically charged for local calls on a per-minute basis, often with connection/establishment fees. US telecom providers did it on flat-rate bundles at worst.
For the same reason, Europe completely skipped pagers as an interim step between landlines and mobile connectivity outside of specific on-call jobs like Medical practitioners.
Much more of an incentive to divest yourself from a copper network designed for voice traffic that was not cheap, fast, or available in many cases.
An unlimited calls, data and SMS 5G SIM in Ireland runs you about €15/monthly on a Pay-as-you-go basis. You tend to get about 20-50GB of Roaming Data in the EU bundled.
They make it up as they go along. Their 2005 Audio-CD EULA includes provisions purporting to require the immediate deletion of all copies if a user files for personal bankruptcy
Anyone remotely surprised at their history of utter contempt for the end-user need only remind themselves of SVP Steve Heckler's remarks to conference attendee's in 2000
"The industry will take whatever steps it needs to protect itself and protect its revenue streams ... It will not lose that revenue stream, no matter what ... Sony is going to take aggressive steps to stop this. We will develop technology that transcends the individual user."
The remarks of Stewart Baker of the DHS admonishing Sony are as relevant today as they were then; namely that "it's your intellectual property - it's not your computer."
N.B. The Author of Chip4Mac68000 has been planning a port of uClinux in the future with his SDK which explicitly avoids using the Macintosh ROM at all, running bare metal directly on the hardware. Might be worth taking a look at if you're unfamiliar.
The US Government - the de facto licensing wing for the Western World - enables it as it positively impacts the US balance of trade in the exploitation of copyrighted works.
So long as lobbying by the Disney Corporation and others is allowed, the concept of the Public Domain is vilified to the point of felony; whereas the likes of Eldred v Ashcroft call it out for what it is - corporate welfare at the expense of public utility.
There was no MMU in the Macintosh Classic/SE lineup which used the 68k as a CPU, but they still support the microcontroller targeted distros like uClinux. Unfortunately the tight integration with the ToolBox ROM makes it a fairly Herculean task. Microsoft bizarrely enough released Xenix for the Apple LISA as well, but that's more of a historic oddity.
Similarly, Basilisk II is a very worthy emulator for Mac 68k emulation so there's a lot to draw on for QEMU and the like.
As it stands both ASTS and Lynk Global use 3GPP standards to allow standard, unmodified mobile phones to connect directly to cell towers in space, bridging terrestrial and non-terrestrial networks (NTN) without requiring special user equipment
https://www.satellitetoday.com/connectivity/2025/11/12/analy...
https://spacenews.com/the-merger-between-satellite-and-cellu...