I run Scribophile, at www.scribophile.com, and Writerfolio, at writerfolio.com.
My company is called Turkey Sandwich Industries, at turkeysandwichindustries.com.
I'm also the Editor-in-Chief of Standard Ebooks, at standardebooks.org. Standard Ebooks is a volunteer-driven project dedicated to producing commercial-quality public domain ebooks edited to strict typography and coding standards for free and libre distribution.
My website is at alexcabal.com.
投稿
Support Put, Patch, and Delete in HTML Forms
alexanderpetros.com
1 ポイント·投稿者 acabal··0 コメント
Public Domain Day in Literature
standardebooks.org
7 ポイント·投稿者 acabal··2 コメント
A Controversial Rare-Book Dealer Tries to Rewrite His Own Ending
newyorker.com
81 ポイント·投稿者 acabal··34 コメント
Virginia Woolf on Not Knowing Greek
berfrois.com
2 ポイント·投稿者 acabal··0 コメント
Thank You for Your Feedback
vice.com
1 ポイント·投稿者 acabal··1 コメント
Standard Ebooks serves millions of requests per month with a 2GB VPS
alexcabal.com
34 ポイント·投稿者 acabal··6 コメント
Fears of a Clown (2015)
nymag.com
1 ポイント·投稿者 acabal··0 コメント
The Anxiety of Influencers
harpers.org
206 ポイント·投稿者 acabal··185 コメント
The Anxiety of Influencers
harpers.org
3 ポイント·投稿者 acabal··0 コメント
Where Loneliness Can Lead
aeon.co
1 ポイント·投稿者 acabal··0 コメント
Morrowind: An Oral History
polygon.com
3 ポイント·投稿者 acabal··0 コメント
Art Institute of Chicago marks 52400 public domain works as CC0 in site redesign
artic.edu
2 ポイント·投稿者 acabal··0 コメント
Appeals Court Says It's Okay to Copyright an Entire Style of Music
techdirt.com
171 ポイント·投稿者 acabal··66 コメント
Here’s How Far the World Is from Meeting Its Climate Goals
nytimes.com
2 ポイント·投稿者 acabal··0 コメント
Mathematical Formula Predicts Global Mass Extinction Event in 2100
motherboard.vice.com
2 ポイント·投稿者 acabal··1 コメント
Step by step, Americans are sacrificing the right to walk
aeon.co
4 ポイント·投稿者 acabal··0 コメント
Tim Berners-Lee approves Web DRM, but W3C members have two weeks to appeal
defectivebydesign.org
249 ポイント·投稿者 acabal··215 コメント
India’s Silicon Valley Is Dying of Thirst
wired.com
3 ポイント·投稿者 acabal··0 コメント
Greenland is Melting
newyorker.com
1 ポイント·投稿者 acabal··0 コメント
The uncertain future of copyright in the on-demand age
Because if HTTP is the language of the web, then HTML forms are how humans speak that language to computers. Right now we humans can only speak GET and POST.
In other words, right now if a human wants to DELETE a widget, the human has click on an HTML form to `POST /widgets/123/delete` - i.e. use an incorrect verb on an incorrect URL/object - or use some other workaround like smuggling a special `_method=DELETE` variable. This is unnatural and semantically incorrect, resulting in ugly hacks that break HTTP-level expectations like idempotency; and it also requires additional app-level logic to process.
Meanwhile a machine is allowed to simply `DELETE /widgets/123` because their interface to HTTP is not clicking on HTML forms.
We humans could converse with websites in semantically correct HTTP, have clean URLs in which both REST APIs and human-facing URLs are identical without hacks, and require no extra app/framework logic, if HTML forms simply allowed all (human-relevant) HTTP verbs.
Supporting more than GET/POST in HTML forms has been my dream for decades. There's a WHATWG proposal to do just that if you want to add your voice: https://github.com/whatwg/html/pull/11347
Home folder litter is one of my top pet peeves in computing. In fact it's the only reason why I refuse to use snaps on Ubuntu. I don't even care about whatever technical stuff everyone argues about - but snaps create a permanent `~/snap/` directory and Ubuntu devs don't care. There's been a bug report on Launchpad for over a decade[1] and it's the second highest voted bug in Ubuntu history, but no, Ubuntu devs think littering the home folder with highly visible system-level machinery is totally unavoidable.
It's like putting your car's engine in the passenger seat - rude, intolerable, and plain stupid. What if Grandma was browsing her home folder and deleted `~/snap/` because she has no idea what it is?
The gem in this post is Pure, which I haven't heard of until now. I also have my prompt show the git status, and for large repos `git status` can take 10+ seconds to load and cache.
I had no idea that you could do that asynchronously, and then have ZSH update the already printed prompt with the status later! That blows my mind!
SE editor in chief here. What you describe is incorrect. The only thing we do is very light sound-alike spelling modernization, like "to-night" -> "tonight". We do not do things like change from en-GB to en-US, replace old words with different modern words, or change text for "American readers", whatever that means. I have no idea where you got that impression.
I personally worked on the Forsyte saga. If you think something was done in error, please let us know and we'll be happy to fix it.
This article is rediscovering the same phenomenon that happened when the steam-powered machinery was invented, leading to the Luddite movement.
Machinery at the dawn of the industrial revolution was supposed to be a time-saving miracle that freed capitalists from having to deal with workers, and also freed workers from backbreaking labor, letting them spend their hours in the pursuit of leisure.
Of course, the opposite happened. Machinery meant workers could produce more output in the same amount of time, so they didn't work less, they worked at least the same and eventually even more to keep up with competition and the demands of consumers. It took decades of unrest and bloody conflict to give us the 8-hour workday.
This article is rediscovering that same history, but for a different class. AI is to white-collar knowledge workers what steam-powered machinery was to the rough-handed working class of the 1800s. It promises capitalists freedom from having to deal with highly-paid knowledge workers, and it promises highly-paid knowledge workers freedom from their labor so they can spend their time in the pursuit of leisure.
I've always told people, Kindles are ereaders seeming designed by people who hate books.
The renderer is atrocious and is holding back the entire industry, much like IE6's crappy renderer and monopoly on users held the entire web back a decade. Browsers (and thus ebooks, which are just HTML/CSS) can now do pretty decent typography, but Amazon inexplicably refuses to get on board with epub.
Their file formats are equally garbage. Mobi, a format that has hardly changed since circa the year 2005, was still in active use until just recently. Their other proprietary formats are confusing in feature set and are opaque to create. The official tool to create Amazon ebooks only runs on Windows![1]
Kindles still can't natively read epubs, but since they accept epubs via email, their customers get confused and email me about it. (Epubs sent via email are quietly convert to Amazon's propriety format, meaning all bets are off on the result. Good luck, publisher!)
I always tell people, buy literally any other ereader.
[1] Calibre can also create them but it's reverse-engineering and not the official implementation.
The reading ease algorithm we use is the Flesh-Kincaid algorithm, which works pretty well for regular prose books but clearly fails very badly on avant-garde prose like Ulysses or As I Lay Dying.
XML lost because 1) the existence of attributes means a document cannot be automatically mapped to a basic language data structure like an array of strings, and 2) namespaces are an unmitigated hell to work with. Even just declaring a default namespace and doing nothing else immediately makes your day 10x harder.
These items make XML deeply tedious and annoying to ingest and manipulate. Plus, some major XML libraries, like lxml in Python, are extremely unintuitive in their implementation of DOM structures and manipulation. If ingesting and manipulating your markup language feels like an endless trudge through a fiery wasteland then don't be surprised when a simpler, more ergonomic alternative wins, even if its feature set is strictly inferior. And that's exactly what happened.
I say this having spent the last 10 years struggling with lxml specifically, and my entire 25 year career dealing with XML in some shape or form. I still routinely throw up my hands in frustration when having to use Python tooling to do what feels like what should be even the most basic XML task.
Taking their sponsors page at face value and doing the math, they're bringing in close to $100k/month with corporate sponsorships alone... how much money could maintaining a framework possibly cost?
No, none have reached out yet. I've had some brief, high-level discussion along those lines with some people in the library industry, and the conclusion I drew is that public libraries in the US are highly fragmented in terms of technological capability. Instead of partnering with individual local library systems, it would make the most sense to - as you mentioned - partner with Overdrive. But there's been no movement in that direction. If anyone from Overdrive is reading, get in touch :)
I know you griped about this in a different thread, but we won't be doing that, sorry. You can uniquely identify an ebook and its version by using dc:identifier in combination with dcterms:modified in the metadata file. If you desperately need a filesystem-safe string then concatenate those two and sha it.
As Robin mentioned the typical style is "fine art oil painting", with some wiggle room allowed for exceptionally difficult cases (like Asian-themed books, as there just wasn't much fine art on that subject pre-1930).
We also require that the art have some kind of connection to the book itself, so it's not just some random fine art. Sometimes the connection is a little fuzzy, but we do the best we can given that art must be pre-1930 and also must have been previously published.
(My personal favorite artwork selection of the books I worked on is The Communist Manifesto[1]. That painting was actually made specifically for a different book by Willa Cather[2], but I thought the peasant laborer, holding a sickle in one hand, with a faraway look in her eyes as the red sun rises behind her was just too good to pass up for Marx!)
1920ish was when it started becoming much more common for books to have illustrated dust jackets, so now that more books from that era and onwards are entering the public domain, we opt to use the first edition dust jacket if it's in the appropriate style. Fortunately for us, that era also happens to be the so-called Golden Age of Illustration so it's not hard finding beautiful art to use!
First-time contributors should select something from the appropriate section, because that gives you the greatest chance of succeeding and the least burden on our reviewers as you get started.
The ebooks we produce are entirely in the US public domain, including metadata and any other files. Unfortunately there are basically no good fonts released under the CC0 license. (Most open fonts are released under the OFL license, which is not the same.) Therefore we don't embed any font files, except for Standard Blackletter[1] when necessary, which is a font we developed especially for our use based on public domain specimens, and released via the CC0 license.
My company is called Turkey Sandwich Industries, at turkeysandwichindustries.com.
I'm also the Editor-in-Chief of Standard Ebooks, at standardebooks.org. Standard Ebooks is a volunteer-driven project dedicated to producing commercial-quality public domain ebooks edited to strict typography and coding standards for free and libre distribution.
My website is at alexcabal.com.