F looks incredible, H is also great. They are all pretty good, except for maybe A and E which I find dull. I prefer the birds and buildings, though of the finalists with people on them I find C rather striking.
Hopefully whichever wins will look like the original design after being finalized for printing, it would be a shame if they had to dull the colors or rearrange the layout for security features etc
It goes against Postels law, but it's much simpler and less error prone to only accept data in the representation you actually use for further processing, vs writing an ad-hoc parser and normalizer.
just a quick example from the backtracking section:
"Here's the dirty secret of WFC: it fails. A lot. You make a series of random choices, propagate constraints, and eventually back yourself into a corner where some cell has zero valid options left. Congratulations, the puzzle is unsolvable."
It's extremely distracting to read heavily ai edited texts like these because every single aism throws me a curveball.
It doesn't help that the figures of speech ai loves to use are those that stress things and create tension and drama. And it uses one in every single paragraph, rendering the text into the literal equivalent of a deepfried faux HDR jpg (or a dialogue scene in a Michael Bay movie).
And beyond those practical concerns it's just hard to gauge how much the author truly understands of what he's writing about (and transitively if it's worth to continue reading)
Wero is a land grab by the banks who fumbled building a PayPal alternative for 20 years, now desperately trying to stop the digital Euro.
Sure I'd rather use Wero than PayPal -if it was decent- and building it on top of SEPA instant transactions is neat. But the lack of buyers protection is a deal breaker for me!
And quite frankly I'd rather use a digital Euro governed by the ECB than some rent seeking hobby project by a bunch of private banks. Especially because they will inevitably enshittify it with ads and hostile BNPL like PayPal.
I think it would be better to defer the Workspace trust popup and immediately open in restricted mode; maybe add an icon for it in the bottom info bar & have certain actions notify the user that they'd have to opt in before they'd work.
Because right now you are triggering the cookie banner reflex where a user just instinctively dismisses any warnings, because they want to get on with their work / prevent having their flow state broken.
There should also probably be some more context in the warning text on what a malicious repo could do, because clearly people don't understand why are you are asking if you trust the authors.
And while you're at it, maybe add some "virus scanner" that can read through the repo and flag malicious looking tasks & scripts to warn the user. This would be "AI" based so surely someone could even get a job promotion out of this for leading the initiative :)
It's not a lack of engineering, but a lack of time, no? 5 years later and Cyberpunk runs on the Switch 2, MacBook Air and Linux Gaming Handhelds. While also scaling beautifully to 64 core CPUs or $3000 Nvidia raytracing GPUs.
No no, NFTs were ridiculously stupid, that's why it was so controversial, that's why there was so much backlash.
Tan having been bullish on NFTs is a very good indicator that he isn't hyping $TRENDING_THING based on technological merit
Not disagreeing that usage in large productions is something that Blender isn't really designed for, but I don't think that it's for a lack of Python API features (if a studio wants something specific it could just maintain an internal fork) or the ever changing Python API surface (the versions aren't upgraded during a production anyways)
What Blender achieved is that lots of university programmes have started teaching Blender or becoming 'tool agnostic'. Studios have also started diversifying their pipelines (this coincidences with studios adopting Unreal and increasing usage of Houdini).
So while Maya is currently the standard, I don't believe that it's growing.
It'll probably be around still in 20 years, with lots of studios having built their pipelines and tooling around it, with lots of people being trained in it, and because it's at the moment still better than Blender in some aspects like rigging and animation (afaik).
I know you're looking for something more universal, but in modern video workflows you'd apply a chain of color transformations on top the final composited image to compensate the display you're working with.
So I guess try separating your compensations from the original work and create a workflow that automatically applies them