Ideally, you want your hands to hover while typing, not resting on your wrists.
I had surgery done in one hand a year ago. It has restored my ability to do most things (like cycling or using a gamepad), but regular keyboard and mouse use is still a problem.
For me, the biggest impact has been switching to a vertical mouse. That, along with a tented split keyboard allows me to work most days without aggravating my CTS.
It’s the source material, not the codec. Some albums sound vastly better on say Apple Music, regardless of lossless or lossy encoding. It’s almost like Spotify have older, inferior masters that they’ve never updated.
You’re right that it’s not the technology. I’ve released a few albums, and they sound virtually indistinguishable across various services since they’re from the same master files.
The trend over the last few years have been disk brakes, aerodynamic features and wider tires, all of which come with a weight penalty. Some brands are now starting to converge their aero and lightweight offerings, though.
I play guitar in a post-rock band called Caves of Steel. Our third album "Path to Ground" was slated for release around this time last year, but the global pandemic kind of took the wind out of those sails for a little while. I miss playing shows.
Anyway, here are some links. I'd wager it works well as coding music.
For .no, I reckon it's a combination of small population and the fact that you need to be a citizen to buy one. Until recently, they were only available to organizations. There's also restrictions on the number of registered domains you can have (100 for organizations, 5 for individuals), that limits squatting somewhat.
Yeah, C major (C/F/G) can be a bit awkward on guitar, the F barre chord is a painful hurdle for new players to get over.
A major (A/D/E) is probably the easiest key to play. G major is arguably the most useful, because you have access to all the important chords in open position: G, Am, C, D, Em.
Phrygian is quite common in metal, along with phrygian dominant. Great scales for dissonance and tension.
Functional harmony kind of goes out the window once you stray from the major/minor modes anyway. You have to lean heavily on the root to maintain the tonality, or else the perceived key center tends to shift.
Em is the iii chord in C, and it’s rarely used because it doesn’t really add any movement. Harmony is all about the cycle between tension and release, and there are other chords that do a much better job at filling the roles a iii chord could have.
It’s useful for dreamy and somewhat static chord progressions though.
For the low B on my 7 string, I get better intonation and tuning results by using power chords up and down the neck with distortion on rather than relying on a tuner. Fretting tension and picking intensity becomes a huge factor with low tension and high string gauges.
Pianos are like that too. There is a LOT of string tension, and the soundboard warps. Raising the pitch requires carefully balancing by tiny adjustments in several passes.
Very good point. In my experience, it's still worth doing even with good locking tuners. Slack around the post is only part of the equation, the string can also bind at the nut. Especially on guitars without straight string pull.
You can also achieve the same stability with regular tuners. You don't need more than a wrap or two around the post if you lock the string under itself.
Great enclosures. The all-metal design is an important property for guitar pedals, it acts as a noise shield. For the same reason, they're probably not the greatest choice for radio circuits.
I had surgery done in one hand a year ago. It has restored my ability to do most things (like cycling or using a gamepad), but regular keyboard and mouse use is still a problem.
For me, the biggest impact has been switching to a vertical mouse. That, along with a tented split keyboard allows me to work most days without aggravating my CTS.